In 1975, in a Belgian village
Rodrigo, 10 years old, son of Spanish immigrants, endowed with an artist’s soul, lacks landmarks. His only certainty is to be the son of a great matador.
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BENDED BONDS, 6min, Belgium, Drama
Directed by Julie Janssens
Sarah and Jane, two sisters, haven’t spoken to each other for years. The death of their mother forces them to come together to make the arrangements for their legacy. Their painful memories and resentments crawl back to the surface.
The challenge of the movie was to communicate the paradox and complexity of siblings relationships through dialogs, silences and gazes. From an outside perspective, these tensions may seem ridiculously intense and dramatic. Sarah and Jeanne have a hard time understanding each other. They are trying to get away from some patterns transmitted by generational legacy. They claim who they are but they struggle to move through the perception of the family they grew up with.
What particularly concerns me is the unconditional love we share with our siblings. It’s the kind of relationship that allows low blows and induces a duty to reconcile. This relationship is undeniable because it is “the same flesh, the same blood”.
Also reconciliations are special in this love/hate relationship. From what I have observed in my own family, seldom are there proper apologies or truthful excuses. Most of the time, with my sister, we renew contact without obtaining a conflict resolution. Time passes, we forget about it until the next hint that will rekindle the flame. Between siblings we know exactly what to say to each other to piss or hurt each other. These recurrent conflicts become individual scars and/or common ones.
I also wanted to recreate this ambivalence in the title “Bended bonds”:
– ‘bended’ refers to the bended, twisted relationship they developed,
– ‘bonds’ refers to the brotherhood and the fact that they were tied to some things before they met again … but finally freed themselves.
The combination of the two terms expresses the paradox of their relationship. One expression cancels and/or complements the other … Moreover, this ambiguity leaves an open end for the viewer.
This short film was shot from start to finish in 72 hours as part of the Kino Kabaret at the “Off-Courts” Trouville 2016 festival.
This story is a realistic private session with the necessary subtilety to address the complexity of a sister’s relationship with accuracy and sensitivity.
Project Title (Original Language):Deliees a s’en tordre
Film Type:Short, Television
Completion Date:September 17, 2016
Country of Origin:Belgium
Country of Filming:France
Played at the May 2017 Best of EUROPEAN Shorts Festival
This is the story of two young guys without any trouble who just want to « screw »
without being disturbed.« State of Emergency motherfucker» is a surrealistic comedy
that depicts a society where police violence and invasion of privacy are daily routine,
normal, tedious. The victims themselves are used to it. Even the police is used to it!
Every day, they get back at it. Samy and Mehdi aren’t even paying attention to it
anymore… the viewer neither. The real question of the movie is to finally discover if
Samy did get some on the night of Valentine’s…
Film Type: Short
Runtime: 5 minutes 34 seconds
Completion Date: March 15, 2016
Country of Origin: Belgium
Film Language: French
Shooting Format: Alexa 2 K
Film Color: Color
Sébastien Petretti – Director
Sébastien Petretti – Writer
Lovo films , Abyssal Process, WFA Pictures Sqarefish – Producer
Yassine Fadel, Ilias Bouanane – Key Cast
Piet Deyaert – DOP
Christophe Loerke – Sound Design